Friday, October 16, 2009

Diwali - Significance and importance

How to celebrate Diwali
The word Diwali has been derived from Deepavali which in turn is formed by dipa + avali (row). Deepavali is thus a line or a row of lamps. During Diwali, lamps are lit everywhere. It is celebrated on four consecutive days - the thirteenth day (Dhanatrayodashi), the fourteenth day (Narak chaturdashi) and the new moon day (amavasya) [Lakshmipujan] of the dark fortnight of Ashvin and the first day of the bright fortnight of Kartik (Balipratipada). Some exclude the thirteenth and consider only the remaining three days as Diwali. Since Vasubaras and Bhaubij respectively precede and follow Diwali, they are included in it. However in reality they are separate holy festivals.

Dhanatrayodashi: The thirteenth day of the dark fortnight of Ashvin

This itself is called Dhanteras in common language. Businessmen worship their treasuries on this day. A commercial year comprises of the period between one Diwali and another. New account books are begun on only this day.
Lord Dhanvantari
Lord Dhanvantari

Dhanvantari jayanti

According to the Ayurveda it is the birthday of the deity Dhanvantari, so on this day Ayurvedic doctors (vaidyas) worship Him. They make an offering (prasad) of small pieces of neem leaves and sugar to visitors. This is of great significance as the neem fruit has originated from divine nectar (amrut) and Dhanvantari is the deity bestowing immortality. If one chews five to six neem leaves everyday then there is no chance of suffering from any malady. Such is its importance. It is for this very reason that it is distributed as a sacrament (prasad) of Dhanvantari.

Yamadipadan

Lord Yama (Yamaraj) is alloted the task of abducting one's life (pran). None has escaped or will escape death, according to time. However to prevent untimely death, on Dhanatrayodashi thirteen lamps made of wheat flour should be placed lit with oil, outside the house, facing southwards, in the evening. A lamp is never kept facing southwards except on this day. 
Narak chaturdashi: The fourteenth day (chaturdashi) of the dark fortnight of Ashvin
According to Shrimadbhagvat Puran on this day Lord Krushna slayed Narkasur. A powerful demon called Bhoumasur or Narkasur formerly ruled a place named Pragjyotishpur. He began harassment of both deities and people. This cruel demon began to harass women. He kept sixteen thousand princesses of marriageable age whom he had won over in battles, in prison and planned to marry them. This created chaos everywhere. When Lord Krushna heard this, along with Satyabhama He attacked the demon, slayed him and set the princesses free. The dying Narkasur asked Lord Krushna for a boon, "On this date (tithi) let one who takes an auspicious bath (mangalsnan) not suffer in hell". Lord Krushna granted him that boon. Consequently, the fourteenth (chaturdashi) day of the dark fortnight of Ashvin also came to be known as Narak chaturdashi and on that day people started bathing before sunrise. On this day when Krushna returned home at dawn, after slaying Narkasur, adorning a spot (tilak) of Narkasur's blood on His forehead, Nanda gave Him an auspicious bath. The women expressed their joy by moving lit lamps about His face (ovalani).'

Yamatarpan (offering to Lord Yama)

After a bath with an oil massage one should make an offering to Lord Yama to overcome untimely death (apamrutyu). This ritual of offering (tarpan) is explained in the religious almanac (panchang). One should consult the religious almanac and then perform it, accordingly. Thereafter the mother moves lit lamps in front of her children's faces (ovaLani). Some break karit (a bitter fruit) with their toes to signify the slaying of Narkasur while some apply a little of its juice onto the tongue as his blood.
Lakshmipujan: The new moon day (amavasya) of Ashvin

Worship of Lakshmi (Lakshmipujan)

Though generally the new moon day is considered inauspicious, this is an exception to the rule. Though this day is considered auspicious it is not so for all events. Hence it would be more appropriate to call it a day of happiness rather than auspicious.
Laxmipujan
Sree Laxmipujan
'After an auspicious bath at the break of dawn one should worship the deities. In the afternoon a rite for the departed souls (parvanshraddha) and an offering of meals to Brahmans (Brahmanbhojan) is done and in the evening in a pandal decorated with creepers and leaves Lakshmi, Vishnu and other deities and Kuber are worshipped. A legend says that on this day Lord Vishnu along with Lakshmi liberated all the deities from BaLi's prison and thereafter they all slept in the ocean. To represent that, everyone should enjoy themselves at home and light lamps everywhere.
When ritualistically worshipping Lakshmi (Lakshmipujan) an idol of Lakshmi should be installed on a seat on which either an octapetalled lotus or a svastik is drawn with consecrated rice (akshata). Next to Her an idol of Kuber is placed on a pot (kalash). Then all these deities including Lakshmi are offered a sacrament (naivedya), a mixture of coagulated cow's milk (khava), sugar, cardamom and cloves. Then items like coriander, jaggery, corn obtained from parched, uncleaned rice, sugar candies (battase), etc. are offered to Lakshmi and then distributed to well-wishers and friends. Holding a bundle in the hand guidance is offered to ancestors. Brahmans and the hungry are offered meals. One keeps awake in the night. The Puran narrates that on the new moon night of Ashvin the deity Lakshmi wanders everywhere in search of an ideal home. Though undoubtedly cleanliness, beauty and excellence attract Her yet She loves to live in a home inhabited by men who are faithful, dutiful, merciful, righteous, have control over passions and are devotees of God, and women who are virtuous and chaste.'
Just as the deities Lakshmi and Indra are worshipped on the religious festival of Kojagari, Lakshmi and Kuber are worshipped on this new moon day. Lakshmi is the deity of wealth but Kuber is the treasurer. Several people possess the art of earning money but do not know how to save it. However saving money and spending it appropriately is far more important than earning it. Since most people do not know how to spend money, their spending is unwarranted and ultimately, they become bankrupt.
Kuber is the deity who teaches the art of saving money as He Himself is the treasurer. Therefore in this ritual the worship of Lakshmi and Kuber has been recommended. Though all people celebrate this festival, the business community in particular does so with great enthusiasm and splendour.
Coriander seeds and parched corn from parched, uncleaned rice are offered in this ritual of worship, the reason for this being that coriander seeds (dhane) denote wealth and parched corn represents prosperity. If a few grains of parched, uncleaned rice are roasted one gets a handful of parched corn. Since one aspires to acquire the prosperity of deity Lakshmi, parched corn is offered symbolically.

Driving off poverty (alakshmi)

Development of virtues gains importance only if in the process defects are overcome. Just as one makes efforts to acquire wealth (Lakshmi), poverty (alakshmi) should also be destroyed. To signify that, on this day a new broom is bought. It is called Lakshmi. At midnight one should sweep the house with that broom, accumulate the garbage in a dust pan and throw it out. This is called 'driving off' of alakshmi (garbage - poverty). Sweeping the house and throwing the garbage out at night is forbidden on other days. When removing the garbage at times alakshmi is driven out accompanied by music created by striking a sifting pan and an earthen vessel covered with a hide.

Balipratipada: The first day (pratipada) of the bright fortnight of Kartik

This is the half among the three and a half auspicious moments (muhurts). The story behind this goes thus - King Bali was immensely generous. He used to gift a guest with whatever he demanded. Though generosity is a virtue, in excess a virtue becomes a defect. What one should give, when and where is clearly prescribed in the scriptures and the Gita. Offering should be made to the deserving; not to the undeserving. But King Bali disregarding this would give anyone anything that he asked for. When an undeserving person acquires wealth he becomes arrogant and behaves as per his will. Lord Vishnu incarnated as a boy invested with the sacred thread (munja). Vaman means small. The munja is small in size and chants 'Give me alms as He asks for alms. When Lord Vishnu incarnated as Vaman, approached King Bali for alms the king asked Him, "What do you want ?" Vaman asked for land which covered three of His footsteps. Unaware of who Vaman was and not realising the consequence of this offering the king agreed to fulfil His wish. Immediately Vaman assumed a colossal form and covered the earth with one footstep. With the second He covered the sky and then asked King Bali where to place the third footstep. King Bali then told Him to place the third step on his head. Planning to send him to the nether world by doing so Vaman said, "Ask for any boon that you wish". The monarch then replied," Now my entire kingdom on the earth will be destroyed and you will send me to the nether world. So may this event of taking the three steps be represented on the earth for three days of the year as my reign." Those three days are the fourteenth day (chaturdashi) and the no moon (amavasya) day of the dark fortnight of Ashvin and the first day of (pratipada) the bright fortnight of Kartik. This is also called Bali's reign.
The scriptures say that during Bali's reign one can behave as one wishes. However, one should refrain from acts prohibited by the scriptures. Eating prohibited foods, smoking and drinking prohibited drinks are the three prohibited acts. Hence on these days people can have a display of fireworks but they do not consume liquor. Since the scriptures permit this tradition people enjoy themselves on these days. This is Diwali. On Balipratipada a picture of King Bali and his Queen Vindhyavali is drawn with a special powder of soft white stone (rangoli) on the floor, decorated with five colours and worshipped and offered meat and liquor (naivedya). Then for the sake of Bali, lamps and clothes are donated. On this day after an early morning bath with an oil massage (abhyangasnan) women move lit lamps in front of their husbands' faces. In the afternoon they feast on a meal with delicacies. People don new attire and celebrate the whole day through. There is also a practice of worshipping the mountain Govardhan (Govardhanpuja). A mountain of cowdung is made and durva (a sacred grass) and flowers are tucked into it. Pictures of Lord Krushna, the cowherds, Lord Indra, cows and calves are arranged alongside and also worshipped and are taken out in a procession.
It is the beginning of the new year according to Vikram calendar.

Bhaubij (Yamadvitiya)

Bhaubij (Yamadvitiya)
Bhaubij (Yamadvitiya)
'The second day (dvitiya) of the bright fortnight of Kartik is also named Yamadvitiya. This day is widely known as Bhaubij. On this day, Lord Yama visited His sister, Yamuna for a meal. Hence the day has acquired the name Yamadvitiya. On this day no man should eat a meal cooked by his wife. He should visit his sister, present her with clothes, ornaments, etc. and eat a meal at her place. If he does not have a sister by blood relation then he can go to a female cousin's place or consider any other woman as his sister and dine at her place. Since on this day Yamaraj visits His sister for a meal, the souls suffering in hell are liberated atleast for a day.'
If a woman does not have a brother then considering any man as her brother she should perform the act of moving lit lamps around his face (arti). If that is not possible then she can consider the moon as her brother and perform it for the moon. To prevent untimely death (apamrutyu) on Dhanatrayodashi, Narak chaturdashi and Yamadvitiya, Yama, the deity of death should be worshipped and chanting His fourteen Names an offering (tarpan) should be made to Him. As a result, untimely death is averted. The offering is made with the resolve (sankalpa) which prevents untimely death with prayer which means 'Lord Yama, I am making this offering unto You'. One may consult the religious almanac (panchang) for the description of this ritual.
Tulsi vivaha
This ritual consists of uniting Lord Vishnu [an idol of Balkrushna (Infant Krushna)] and the basil (tulsi) plant in wedlock. In ancient times the practice of child marriage was prevalent. This ritual is performed on any day between the eleventh (ekadashi) and the full moon day (pournima) of the bright fortnight of Kartik. On the eve of the wedding the base of the basil plant is painted and decorated. Sugarcane and marigold flowers are placed next to the plant and tamarind and amla are placed at its bottom. The wedding ceremony is performed in the evening. All the vowed religious observances undertaken in the four months (chaturmas) after the tuLsi vivaha on the twelfth day (dvadashi) of the bright fortnight of Kartik, are concluded. All the food items which one has not eaten due to forbiddance are first offered to a Brahman and then partaken of.

DevDiwali

This is a synonym for the first day (pratipada) of the bright fortnight of Margashirsha. On this day, the family deity (kuladevata) is offered five delicacies as offering (mahanaivedya).
Nature of the celebration

> Decoration with lit lamps

Lamps should be lit both inside and outside the house on the evening of Diwali. This gives the house a decorative look and generates enthusiasm and joy. Earthen lamps (pantis) lit with oil are more decorative and soothing than a string of electric bulbs. Dip actually means a flame obtained by lighting a wick soaked in oil. The Vedas (Shrutis) command 'Go from darkness to the flame, that is light'. The house in which lamps are not lit on these three days is perpetually in darkness. They cannot go towards light, that is spiritual knowledge. Offering lit lamps attracts Lakshmi. Each and everyone should celebrate the religious festival of Deepavali with enthusiasm so that Lakshmi perpetually inhabits one's home and one is enlightened with spiritual knowledge. This helps to maintain happiness and prosperity in the family.

> Lanterns (akashkandil)

'This is a part of decoration with lamps. The lantern which is hung outside the house on a tall pole buried in the ground, with the help of a string, from the eleventh day (ekadashi) of the bright fortnight of Ashvin till the eleventh day of the bright fortnight of Kartik is called an akashdiva. The ritual of its installation is as follows.
A small portion of ground close to the house should be smeared with cowdung. It should be sprinkled with water containing sandalwood paste and then an octapetalled lotus should be drawn. A pole of 20, 9 or 5 arms length should be buried in the middle of this spot. It should be decorated with cloth, festoons, eight bells and a pot. An octapetalled lantern should be made and fixed to the pole. A big lamp should be lit in that lantern. Eight lamps should be lit around this lantern one in each petal of the lotus for the deities Dharma, Har, Bhuti, Damodar, Dharmaraj, Prajapati, ancestors (tamahasthita) and spirits. Sesame oil should be used to light the lamps. The lamp should be ritualistically worshipped with five substances (panchopachar puja) and raised on the pole chanting the mantra, Acquisition of wealth is the result of this ritual.'

> Rangoli

'The basic Sanskrut word is rangavalli. A design created by allowing the powder of a special soft white stone to flow freely, with a pinch of the hand is called rangoli. rangoli is an art which precedes sculpture and painting. It is both an auspicious and a preliminary necessity in any religious ritual. It is a practice to draw rangoli at the site of any auspicious religious ritual such as a holy festival, a religious festival, an auspicious function, ritualistic worship, a vowed religious observance, etc. When performing the act of moving lit lamps about the face for someone (arti) too, rangoli is drawn around the wooden seat (pat) on which he is seated and also in front of him. At public functions also during a meal rangoli is drawn around a wooden seat and the plate or leaf on which the meal is served. During Diwali various rangoli designs are drawn at the doorstep and decorated with different colours. In the ancient times it was a practice to sweep and sprinkle every doorstep with cowdung everyday and draw rangoli.
Rangoli is drawn with powder obtained by pounding a cleavable and lustrous mineral (shirgoLa). In the Konkan region the husks of rice are burnt and the white ash obtained is used as rangoli. rangoli powder is generally coarse. As a result it is easily released with a pinch. After smearing the ground with cowdung one should not forget to draw at least four lines of rangoli on it. Ground smeared with cowdung but not decorated with rangoli is said to be inauspicious. The two aims of drawing rangoli are revelation of beauty and the acquisition of auspiciousness. The forms drawn in the rangoli are symbolic. A curved line produces a better effect of beauty than a straight one.

A conch, a svastik, the moon, the sun are other forms. Two parallel lines of rangoli are drawn. In the middle of the lines two curved lines are drawn so as to create a chain. This chain represents a serpent couple. The eight petals represent the universe with eight directions, as well as the sun and Lord Vishnu. The lotus is symbolic of Lakshmi as well as the energy for procreation, so it is given special importance in the worship of Lord Vishnu. Besides rangolis with a one-sided auspicious emblem (ekalingatobhadra), eight-sided propitious emblems (ashtalingatobhadra) and those which are auspicious on all sides (sarvatobhadra) are also drawn pertaining to religious acts. In this a big square is divided into small squares. The small squares are then filled with vermilion (kumkum) in a specific manner so as to create the form of Shiva's linga. These rangolis are seen in the Shaiva sect. Another type of rangoli is drawn with the help of dots. First the dots are made on the ground and then lines, vertical and transverse are drawn joining these dots so as to create various figures such as a peacock, a tortoise, a lotus, a creeper, etc. Though this rangoli with dots is complicated, it is attractive. Usually it is women who draw rangolis. They do not require any devices such as a ruler, a thread, a brush, etc. to draw them. They freely move their fingers to create various shapes with ease. Every shape in a rangoli begins through her medium. rangoli is of two main types : form dominant and ornamental. Form dominant rangoli is found in the states of Rajasthan, Maharashtra and Uttar Pradesh and in South India. Lines, cones and circles are drawn proportionately. Ornamental rangoli is seen in Eastern India. In it importance is given to flowers, leaves, trees, creepers, animals and birds. Bangali women draw such rangolis with expertise. This rangoli is more appealing than the form dominant one. When revealing the theoretical secret of rangoli Mr. Anandghanaram writes, " When sweeping the floor or smearing with cowdung, subtle lines are created on it. These possess certain frequencies. Since these lines are irregular, their vibrations too are irregular. These are harmful to the body, eyes and mind as well. To overcome these unfavourable frequencies if cones and auspicious symbols are drawn systematically with rangoli on the smeared floor then the ill-effects of sweeping and smearing are overcome and favourable results are obtained".'

> Ablution with oil (abhyangasnan)

Bath with an oil massage is recommended on all the three days from Narak chaturdashi to Balipratipada.

( Source - Hindu Janajagruthi Samiti )

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Tuesday, September 29, 2009

Happiness for sale

A story from a few days ago. My cousin and her family had come over for the holidays and my snow white Maltese had just given birth to beautiful puppies and my nieces were very happy to welcome them into our family. But our parents said that they would not allow any more dogs in our home and with a heavy heart, we decided to give them away.

As we had bought our Maltese at a pet store, I only felt it fair to sell the puppies instead of giving them away for free. Also, I felt that this way I can ensure that the puppies go to a place where they'll be valued, where they would be cared for. So I started making arrangements for the sale.

I painted a nice sign board advertising my puppies and my kid-niece tried painting one of them onto it. I was nailing the board to a post in my garden when I felt a slight tug at my pants. I thought perhaps one of the puppies had managed to wiggle past the crack in their kennel door and turned to pick it up and take it back inside. Only to find a small boy with big eyes and a pleading smile looking up at me.

"Uncle," he said, "I want to have one of your puppies. (a longish) Please!!"

"Well bachu," I told him, "I am sorry but I am not giving away the puppies for free. If you want a puppy, you'll have to buy one!"

This took away a part of the smile. He dug into his pockets, apparently searching for corners hitherto unexplored, expecting some cash to appear there miraculously. After a good couple of minutes of scouring, he extracted some coins and held them out to me, "I have 7 rupees with me right now. Is that good enough?"

Although I personally would have preferred receiving a much bigger multiple of that amount, I did not want to break his little heart so I agreed. His smile returned, a small curve of his lips at first, then blossoming into a huge grin when I called out my dog and her puppies so that the boy could select his pet. He let out a squeal of joy when the four little fur-balls scampered up to him and started playing at his feet. His eyes danced with delight and it seemed he was having a tough time making up his mind on selecting one of them.

Just then, a fifth fur-ball appeared at the door of the kennel, and peeped out with its little bright eyes. It gave a shrill yelp and hobbled down to where its other brothers and sisters were playing. It was smaller than the others and had a slight limp due to which it couldn't walk well. Still it did the best it could and tried catching up with the rest.

"I want that one!" said the little boy pointing to the new entrant.

"But my dear, it is not like the other puppies," I told him. "Beautiful and cute it is no doubt, but he may not grow up to become a strong dog that can run and play with you like the others here," I said pointing to the other four who were now busy with some game of their own.

The boy ran to the small pup to pick it up. It was then that I noticed that he had a deformed left leg, and wasn't able to walk properly. Limping back to me snuggling the pup in his hands, he said, "As you can see uncle, I cannot run very well either. And when my friend here grows up, I'll be there for him so that he knows that it's not bad to be different from others. And at times when I feel bad about myself, he'll be there to teach me the same lesson. Thank you!" saying this he handed me the seven rupees and began limping away.

As I watched the twosome walk away happily, I couldn't help imagining just how many of us are searching for someone like ourselves, someone who can understand and accept us the way we are.

Sunday, September 20, 2009

SUCH A BHAKTA IS DEAR TO ME

"SUCH A BHAKTA IS DEAR TO ME"
By HH Sadyojat Shankarashram Swami 

अनपेक्षः  सुचिद्र्दाक्शः                Anapekshah Suchirdakshah
उदासीनो गथाव्यथः                    Udaaseeno Gathavyathah
सर्वारम्भा परित्यागी                   Sarvaarambha parityagi
यो मद्भक्तः सा में प्रियः                  Yo Madhbhaktah Sa Me Priyah 
" He who is free from vain desires, who is pure in thought, word and deed, who is dexterous in his duties, who can judge correctly with an intellect bereft of prejudice, whose heart is peaceful, who eschews all actions born of self-aggrandisement - such a Bhakta is dear to Me. "

So declares Lord Krishna to Arjuna as He takes him along the turbulent path to God-realisation. This description of a Bhakta is to enable us to shed any misconceptions of Bhakti that we may be clinging to. Meditate on these qualities which are present in a Bhakta and which make him so dear to the Lord. And to help you in your meditation, meditate on one to whom these divine qualities have become natural.

The very first meeting with Pujya Swami Satchidanandaji impresses one with his self-possession. This quiet dignity, far from intimidating, calms the mind of those who come in his contact. It is born of Anapekashata - neither giving in to the demands of the world nor demanding of it. A little further into conversation and you are aware of the clarity of perception and the neatness in presentation of ideas - indications of Suchitwa, purity of the mind. The manner in which the heavy responsibilities of the Ashram, the correspondence etc. are handled calmly and dexterously displays Dakshata in work. The inevitable quarrels, petty jealousies that crop up in any institution have been settled by him without any touch of favouritism. This Udaseenatha is the mark of a Bhakta who is led by the Lord and seeks His affirmation only. The inner serenity so distinctly reflected on his calm countenance is again that of a Gathavyatha - one whose heart has been cleansed of the frustration of failure and the excitement of success. Seeking guidance from and at every step working only on the prompting of the Innermost Dweller of the heart, this saint has been living the life of an ideal Sannyasi, a life of Sarvaarambha partityagi - a giving up of all actions prompted by the ego.

Such a saint whose love for the Lord and Papa and Mataji has inspired innumerable aspirants to tread the path to God-realisation, completes 50 years of total dedication to the Lord. On this auspicious occasion of Pujya Swamiji's Sannyasa Deeksha Swarna Jayanthi, we pray to Lord Bhavanishankar to grant Swamiji good health and inspire him to continue to bless and guide Sadhakas for many more years to come.
 
( Source - Pujya Swami Satchidanandaji's Golden Jubilee Souvenir )
( The Vision - September 2009 issue )

Monday, September 7, 2009

Pitrupaksh

ll Sree Gurudev Datta ll
Ritual of Shraddh

Pitrupaksh, the 14 days of the year which fall in the Hindu lunar month of Bhadrapad, beginning with the first day of Krishnapaksh till the day of Amavasya the new moon day are the days to pay our debts to our ancestors. This year Pitrupaksh is from 5-18th September.

  • What is the importance of the ritual of Shraddha?
  • When should the Shraddha be performed?
  • Why should every son perform the ritual of Shraddha?
  • When can females perform Shraddha?
  • What is the method of performing Tarpan and Pitru tarpan?

For all these answers visit

http://www.hindujagruti.org/hinduism/knowledge/category/shraddha

Watch a series of videos on how to perform Shraddha at:

http://www.hindujagruti.org/videos/index.php?id=7


Alongside the rituals, it is necessary for all descendents to chant 'Sree Gurudev Datta' for the appeasement of their ancestors and speeding up their journey onward for a better afterlife for them, during this period.
Benefit of chanting Lord Dattatreya's Name

A. The ancestors get speed in their journey to the next region and this makes the atmosphere in the house pleasant.

B. An embodied soul gets energy from Lord Shiv also.

Here are answers to some of the questions:

  1. How does an embodied soul get entangled in its desires after death?
    After death a Jiva, that is, the subtle body constantly makes efforts for fulfilling its desires. Sometimes it enters another body forcibly. Due to desires a Jiva goes to various subtle regions (lokas) as per his actions.
  2. When should the Shraddha be performed?
    Normally, no moon night, 12 sankrants in a year, solar-lunar eclipses, Yugadhi and Manvadi dates, Ardhodayadi parva, date of death, arrival of Shrotriya priests (Brahmins) etc dates are considered appropriate for performing shraddha
  3. When can females perform Shraddha?
    ‘Ideally, the host should perform the ritual of Shraddha by himself. However, since we do not know how to perform it, we get it done through the priest (Brahmin).
  4. What is the method of performing Tarpan and Pitru tarpan?
    On the day of Shraddha, sesame seeds should be sprinkled all over the house, sesame seeds mixed in water should be given to the invited priests (Brahmins) and sesame seeds should be donated.
  5. What are the presiding deities and results of Shraddha?
    Matsya Puran mentions 'नित्यं नैमित्तिकं काम्यं त्रिविध श्राद्ध मुख्यते ।', meaning, primarily there are three types of Shraddha - one performed daily, periodically and with purpose (Kamya).
  6. What are the presiding deities and results of Shraddha?
    Matsya Puran mentions 'नित्यं नैमित्तिकं काम्यं त्रिविध श्राद्ध मुख्यते ।', meaning, primarily there are three types of Shraddha - one performed daily, periodically and with purpose (Kamya).
  7. What are three historically established phases of Shraddha?
    During the era of Rugveda, deceased ancestors were worshipped by offering Samidha (a kind of wooden stick) and Pinda (a rice bowl) to the sacrificial fire
  8. What is the importance of the ritual of Shraddha?
    The ritual of Shraddha not only repays debts towards deceased ancestors, but also makes it easy to repay debts towards God and Sages.

Sent by -

Nandakumar Hattiangadi

Bangalore, Karnataka, India.

P. S. :- This piece of information was sent to members of Google Groups "Shri Chitrapur Saraswats" group on date 7th September, 2009.

Even though it doesn't give clear enough idea of Mhaal Mahina / Pitrupaksh, we all can research further on and add to discussion

Tuesday, September 1, 2009

Kojagiri Pournima Celebration

Dear All,

Namo Namaha!!!

As you all are aware, Our Param Poojya Swamiji has agreed to grace the Navratri Utsav at Karla (from 19th September 2009 to 28th September 2009), and HH will also be performing Lakshmi Poojan on the Kojagiri Pournima night (3rd October 2009). Swamiji’s stay at Karla will be from 18th September to 5th October.

This is to inform you that a cultural activity, under the banner of Chitrapur Yuvadhara, has been arranged on the eve of Kojagiri Pournima 3rd October 2009 (Saturday).

The main organizers (coordination, communication, etc.) of this event will be the youngsters of Andheri, Vile Parle & Virar sabhas.

Main elements/Features of the program:

1) A skit by youngsters of Grant Road & Dadar (Duration should not exceed 20 mins.)

2) Dance performance by Pune youngsters (7-8mins.)

3) Fusion of Lezhim & Dandiya (After Ratri Puja)Youngsters of Santacruz (Anirudh Nagarkatte) will take the responsibility of arranging to teach lezhim to those interested in learning.Representatives of Andheri, Vileparle & Virar sabhas (Abhishek Gokarn, Ruhi Kuddyadi, Kiran Gokarn, Divya Bijur) will be in charge of selecting the songs and setting up the dance steps for Dandiya and Garrba with the help of other youngsters good at the same.

Dress code for lezhim/dandiya: For Yuvatis- Ghagra Choli/Gujarati style saree/ Salwar Kameez.For Yuvas- Churidar kurta with 2 colorful bandini dupattas (one to be tied as turban/ pheta and second to be tied around the waist as a sash), in short attire that would give a festive look to the occasion.

Transport & Accommodation- We will be requesting Arun Padbidri Maam to provide bus for Mumbai youngsters. Pune Youngsters, with the help of coordinators will have to make similar arrangement. (Pick-up points will be informed shortly after the response from you all.)Youngsters from Mumbai/Pune intending to stay overnight on 3rd should inform beforehand. Accommodation will be provided to all at Karla (temple premises) or Indrayani guest house, whichever is available.

Please inform Padmini Balsekar Pachi or me, the details regarding representation of your respective Sabha, by 10th September to facilitate transport and accommodation arrangements.Duties & Responsibilities of representatives will be informed shortly.

Yuvadhara also extends its invitation to Prerana & Prarthana to join this event…

A request to all coordinators and representatives to forward this message to all (Yuvadhara, Prerana, Prarthana) in their respective sabhas to make this event a grand success!!!

Thanking you,

Warm regards,

Vidya R Aldangadi (Coordinator, Yuvadhara Andheri)

(For Yuvadhara, on behalf of Sharayu Pachi)

Thursday, August 20, 2009

Ganesh Chaturthi


Ganesh Chaturthi Image

History:

The day on which the Ganesh frequencies reached earth for the first time, that is the day on which Lord Ganesh was born is the fourth day (chaturthi) of the bright fortnight of the Hindu lunar month of Magh. Since then, an association between Ganesh and chaturthi was established.

Video: Installation and Immersion of Ganesh idol

Note: Commentry is in Marathi.
Description: What is the importance of Ganesh Chaturthi? Why new idol of Lord Ganesh is established at every year? Information on Siddhivinayak vowed religious observarance and Aarti.

» See other Ganesh Chaturthi Videos

Significance of Ganesh Chaturthi:

A. Since the frequencies of Ganesh and those of the earth on the fourth day (chaturthi or Ganesh Chaturthi) of every fortnight of the Hindu lunar months match, they are favourable to one another. This implies that on that date, a greater quantity of frequencies of Ganesh can reach the earth.

B. Chaturthi means the turiyavastha, a state beyond the states of waking (jagruti), dream (svapna) and deep sleep (sushupti). This itself is the target of a seeker.

C. The holy text Agnipuran' prescribes the vowed religious observance (vrat) of chaturthi for acquisition of worldly pleasures and the Final Liberation (Moksha).

Types of Ganesh Chaturthi:

The fourth day (chaturthi) of the bright fortnight of each Hindu lunar month is called Vinayaki and that of the dark fortnight is called Sankashti.

A. Vinayaki : The ritualistic worship on this day does not include viewing the moon and worshipping it like sankashti. On the day of Vinayaki, one fasts the whole day through and ends the fast only the next day. The deity of this vowed religious observance (vrat) is 'Shri Siddhivinayak'. Vinayaki is performed for well-being and prosperity.

B. Sankashti : On this day, one should observe a complete fast the whole day. In the evening after a bath, one should make preparations for the ritualistic worship of Lord Ganesh. In the night after looking at the moon, either an idol of Ganesh or a betelnut placed on a mound of consecrated rice (akshata) symbolic of Ganesh, should be worshipped with sixteen substances (shodashopchar puja). Twenty-one rounds (avartans) of the Atharvashirsha should be recited. One should pay obeisance to the moon after giving an offering and sprinkling sandalwood paste (gandha), flowers and consecrated rice in its direction. On the day of chaturthi, the offering should be made in a circular shelving metal dish (tamhan). One should eat only after the holy sacrament which consists of five delicacies (mahanaivedya) is offered. The deity of this vowed religious observance is 'Shri Vighnavinayak'. Sankashta means sankat (crisis). The 360 frequencies which are emitted from the core of the earth surround us and thus slow down the body processes. This itself is called a 'sankat'.In the dark fortnight of the Hindu lunar month, these 360 frequencies are more active. This obstructs the flow of energy through the channels (nadis) in our body. Sankashti is performedto overcome this crisis. Ganesh controls the 360 frequencies. Hence by worshipping Him, one is released from the bondage of these 360 frequencies.

C. Angaraki : The chaturthi which falls on a Tuesday is called Angaraki. Angar means the planet Mars (Mangal) or earth(bhumi). Ganesh is the presiding deity of Mars just as He is of the earth. Ganesh and Mars, both have the same complexion.On the day of Angaraki, the Ganesh frequencies reach the earthin greater quantities and those from the Mars too reach the earth. Consequently, most of the frequencies emitted from the moon are destroyed. Hence the benefit obtained by performing 'angarika vinayaki' and 'angarika sankashti' is equivalent to that obtained by performing all the vinayakis and sankashtis respectively, throughout the year. Angaraki unlike other vowed religious observances (vrat) is not performed throughout the day and night. It is an observance lasting for five prahars (one prahar is a period of about three hours), four during the day and one at night. According to the ritual, a meal should be taken at moonrise. Thus that meal becomes a part of the ritual and is not partaken to conclude the fast.

( Source - www.hindujagruti.org )